Japanese minimalism is a concept that focuses on keeping life simple, clean, and uncluttered by living with just the essentials. It’s inspired by the aesthetic of Japan’s traditional Zen Buddhism and can be seen in many different facets of everyday life, from their architecture to fashion choices.
There are observers who describe the emergence of minimalism as a response to the brashness and chaos of urban life. In Japan, for example, minimalist architecture began to gain traction in the 1980s when its cities experienced rapid expansion and booming population. The design was considered an antidote to the "overpowering presence of traffic, advertising, jumbled building scales, and imposing roadways."
The concept of minimalist architecture is to strip everything down to its essential quality and achieve simplicity.
Hojōjutsu (捕縄術, lit. "Restraining Rope Technique") or Torinawajutsu (捕縄術, lit. "Restraining Rope Technique") or just Nawajutsu (縄術, lit. "Rope Technique"), is the traditional Japanese martial art of restraining a person using cord or rope (called Nawa (縄, lit. "Rope") in Japanese), as a precursor to modern-day handcuffs. Encompassing many different materials, techniques and methods from many different schools, Hojōjutsu is a quintessentially Japanese art that is a unique product of Japanese history and culture.
As a martial arts practice, Hojōjutsu is seldom if ever taught on its own but as part of a curriculum under the aegis of the body of study encompassed by a larger school of bugei or budō, often as an advanced study in jujutsu. Regardless of the source, Hojōjutsu techniques and methods are seldom demonstrated outside Japan.
Japanese Zen refers to the Japanese forms of Zen Buddhism, an originally Chinese Mahāyāna school of Buddhism that strongly emphasizes dhyāna, the meditative training of awareness and equanimity. This practice, according to Zen proponents, gives insight into one's true nature, or the emptiness of inherent existence, which opens the way to a liberated way of living.
Zen emphasizes zazen, meditation c.q. dhyana in a sitting position. In Soto, the emphasis is on shikantaza, 'just sitting', while Rinzai also uses koans to train the mind. In alternation with zazen, there is walking meditation, kinhin, in which one walks with full attention.
To facilitate insight, a Zen teacher can assign a kōan. This is a short anecdote, which seems irrational, but contains subtle references to the Buddhist teachings.
In classical Japan there is a categorical term used to divide various subjects up into degrees of formalities referred to as Shingyōsō (真行草). This is a concept that can be found in everything from Toshi Keikaku (City, urban, and town planning; 都市計画), to the categorization of utensils found in Sadō (Tea Ceremony; 茶道), it is however most known for its use in Shodō (Calligraphy; 書道).
Oku (奥) is a spatial theory or concept that pertains to the idea of "inwardness". It is unique to Japan and is an integral part of the urban space formation in the country. The term entails several abstract connotations such as profundity and can be used to describe not only physical but also psychological depth.
“In a great number of cases, the ideogram [shinobi] translates into the concept of patience, endurance and perseverance, sometimes even the idea of resignation, a kind of patience in the face of all tests. By breaking up the ideogram “nin,” one finds two other ideograms: “the heart, feelings, or spirit” (心), and the edge of the blade (刃). depicts the state of mind of one who suffers, endures misfortune, and must moreover hide, to hide one’s pain. In other words, to hone one’s thoughts and ego like the edge of the sword, to be constantly vigilant, forming one’s heart to endure. Such is one of the many meanings of the word shinobu (忍ぶ).”
-- Dr. Kacem Zoughari
Maai (間合い), translating simply "interval", is a Japanese martial arts term referring to the space between two opponents in combat; formally, the "engagement distance".
The concept of maai incorporates not just the distance between opponents, but also the time taken to cross the distance and the angle and rhythm of attack; collectively, these all factor in to the exact position from which one opponent can strike other – e.g., a faster opponent's maai is farther away than a slower opponent.
It is ideal for one opponent to maintain maai while preventing the other from doing so, meaning that they can strike before the opponent can, rather than both striking simultaneously, or being struck without being able to strike back.
We welcome and appreciate diversity in all its facets for the richness that it offers.
TRUE COLOURS
十人十色 literally means “ten people, ten colours”
~ Ten different people bring ten different colours
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